Mac’s body lay on the floor. A slow rasping exhale, the final breath. Danni stood, tears rolling down her cheeks. She wasn’t sure if it was from the gun smoke, or her emotions getting the better of her.
It was OK now, though. Everything would be fine. She watched Mac’s blood forming patterns around the bumps and grooves in the floor.
The lights flickered and the moon slid behind a cloud, as the dead started pulling the door off its hinges.
“What the fuck, James,” said Shelly. “I told you this isn’t funny!”
“What’s that?” called James.
Shelly ripped the Post-It note off the mirror.
“Mine,” she read out loud. “What the fuck does that even mean, James?”
“Yeah just coming,” called James, from the other side of the mirror.
~
New video style! Age restriction because of naughty words. Colour themed to the books they come from. New microphone too! More on this in next weeks blog post.
I’m back! I got the missus and mutts up to her parents home. I now have an empty flat, mostly decorated, and soon to go up for sale. Trying to catch up with everyone in the blogosphere. Crikey, you guys, have been busy.
Next part of doodling the Little Fears. This time I want to give an outline of the individual illustrations I use for art prints, Threadless and logos.
I mentioned before I doodle six panels for stories and write six stories a day. For the stand alone illustrations, I doodle one to three a day, but I only aim to get one new character drawn per day.
I often draw a single character then scribble shapes around it. Recognize this lady?
I know almost nothing about what you are meant to do with digital art packages and proper art materials, so I stick to drawing with Posca paint pens and white paper. Regardless of what colours the characters end up, I try to stick to black, red and blue because they are easier for me to isolate on a computer.
I scan or photograph the doodles, get them onto my laptop when I isolate all the shapes and move them about until I am happy. I often soften the edges, but not so much they appear entirely smoothed. The texture is part of the appeal of my style, so I need to keep some lumps and bumps in there.
I use free software on my laptop, for those that are looking for a solid art package but cannot lay out the money for Photoshop try these.
Once on they look how I want them, I usually save them as PNG’s with transparent backgrounds. For the artists and designers, yes, I do know there are better file formats for me to use, but PNGs work for me.
I can then use these images for…
Book covers.
Art prints.
Logos.
Threadless T Shirts.
And YouTube and SkillShare videos.
Now there’s the magic. Not only can I draw from these images for future characters in the Little Fears, but six characters I have not posted here yet have an entire 90 tale story arc built around them. As I have been drawing one every day since January 2017, it also means I have a massive pool of characters to dip into when I want to introduce a new character to the Fears. Every character in the Little Fears was drawn on their own before being put into any of the tiles.
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Some Skillshare course, not mine, for you to browse this week. Maybe something to inspire or teach you to create something awesome.
GIMP is the free art package I use as a replacement for Photoshop. It’s a community run project has lots of free plugins and fancy brush packs on Deviant Art. This course is huge. About 6 hours long. It covers all the tools you need to know.
Angela is public domain and open source enthusiast. I took the course because it was a different way of creating comics. It turns out she’s GIMP user too.
She fed the fibres into the flyer. She watched it weave its way onto the bobbin. She drove her foot into the pedal, harder, faster. The spinning wheel provided a cool breeze across her legs. This yarn was going to be so special. So golden. She didn’t stop spinning until she tore her scalp clean off her skull.